PROJECT GRANTS

Creative VISIONARY Grant

Through the Creative Visionary Grant, the Black Artists & Designers Guild is providing two $5,000 awards to advanced Black makers in craft with 10–25 years of active studio practice, with special attention and focus on the decolonization of the field and work that affirms Black Diasporic culture.

The grant is designed to move makers toward actualizing all phases of a creative project — from research to fabrication to presentation. Recipients may use the award toward endeavors that advance their creative practice, including fabricating objects, creating work for exhibitions, designing installations, producing products, or engaging in public art.

Be creative. Think BIG and outside the box. Think about what you want someone looking at your work a century from now to feel.

Projects must be based in craft traditions and can include: creation of new work, completion of an existing body of work, or a permanent public art installation.

application opens Fall 2026

Funded by Maxwell | Hanrahan Foundation

 

Overview

The Creative Visionary Grant supports projects celebrating Black diasporic expression in craft mediums by Black makers

 

FAQs

Meet the Jurors for THE 2026 CREATIVE Visionary GRANT

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PAST RECIPIENTS

RECIPIENT OF THE 2025CREATIVE Future Maker GRANT

Through the Creative Futures Grant, BADG provides opportunities two selected Black graduate students in craft to receive a cash award, a chance to join the canon of Black Art & Design and bring their art and design dreams closer to becoming reality.

Funded by Maxwell | Hanrahan Foundation

  • Jasmime Narkita Wiley

    Jasmine Narkita Wiley is an interdisciplinary artist, writer, and educator. Her exhibitions include presentations at the Institute of Contemporary Art San Francisco, Museum of Contemporary Art inDenver, and Boulder Museum of Contemporary Art. Her writing has appeared in College Art Association's Art Journal Open, Surface Design Journal, and Rewind Review Respond.

  • Cameron Patricia Downey

    Cameron Patricia Downey is an anti-disciplinary artist whose work oscillates between sculpture, photography, film, body, curation and otherwise. Peering into the private lives of objects, seeing instruction in the incidental, the precarious and the misremembered, Downey’s work strives to archive, unfurl, make-altar-of and lend fantasy to the Blues of Black life and relation. 


 

RECIPIENT OF THE 2024CREATIVE Legacy Maker GRANT

The 2024 Creative Legacy Makers Grant is a $10,000 award designed to acknowledge and support an established Black craftsperson or collective with 30 or more years in the field who continues to impact contemporary craft and affirm Black Diasporic culture.

Funded by Maxwell | Hanrahan Foundation

 

JAMES WATKINS, LUBBOCK, TX

I am leaving a legacy in the ceramic community and Texas Tech University as a Paul Whitfield Horn Distinguished Professor Emeritus. The Horn Distinguished Professorship is the highest honor Texas Tech University may bestow on members of its faculty. These Professorships are granted to professors in recognition of national and international distinction for outstanding research or other creative scholarly achievements. My greatest achievements have been my publications on Ceramics and Architectural Delineation. Alternative Kilns & Firing Techniques, which I co-authored with Paul Andrew Wandless has been translated into both German and Chinese. Having the opportunity to share my ceramics research on a national and international level has been my greatest accomplishment. 

 

RECIPIENTS OF THE 2023 CREATIVE VISIONARY GRANT

The Creative Visionary Grant is designed for advanced practitioners with 10 to 25 years of active studio practice in art, architecture, design and material culture. These individuals are focused on telling the real and untold story of the Black Diasporic community.

  • Ifeoma Ebo

    Brooklyn NY

    Reparations in Public Space is an exhibition that strives to change spatial narratives through a series of speculative design ideas that transform spaces of trauma into spaces of healing and liberation.

  • Jomo Tariku

    Springfield, VA

    JUXTAPOSE is a new way of doing installations for shows and museums where we give credit to unnamed creators, their culture, their skills and unique contribution while we use the references as a way to create new things that can be attributed back to the Black culture.

  • Derrick Wood-Morrow

    Chicago, IL & Providence, RI

    (Un)Imagined Lives is a multimedia film project using co-authored ethnographic research from areas of contested ownership and colonial occupation to create both a physical and digital archive concerning the spiritual offspring of the Queer Black folx lost during the Middle Passage.

 

RECIPIENTS OF THE 2021CreatiVE FUTURES GRANT

Through the Creative Futures Grant, BADG provides opportunities for four selected Black undergraduate and graduate students in Architecture, Design and Fine Art to receive a cash award, a chance to join the canon of Black Art & Design and bring their art and design dreams closer to becoming reality.

  • Abena Otema Danquah

    Architecture, Rhode Island School of Design

    The Kaya Pavilion proposes a space for learning, gathering, play, and rest. Proposed to be installed in a city where public space is utilized as an abstract concept, this project will reveal the impact of planning for human encounters and the coexistence of multiple publics.

  • Janiya Douglas

    Art History & Curatorial Studies, Spelman College

    The project aims to cultivate an institutional space that centers and reflects a consciousness solely rooted in the experiences of Black Americans in the South. The architecture of Souf, a hub of Southern Black Intellectual Thought, will exist as a campus that embodies the cultural aesthetics of Southern Black expression. Janiya proposed an architectural design for a community-arts institution that centers on the ancestral experiences and lineage of Southern Black Cultural expression.

  • LaRissa Rogers

    New Genres, University of California Los Angeles

    Exploring the dual nature of flight and migration as a means of survival and preservation, this six-foot soil sculpture will pay homage to the interconnected histories in the soil and land from which they are created. Mimicking the appearance of a core sample (a section of a naturally occurring substance such as earth or corporeal matter), the sculpture will speak particularly to diasporic resilience through the lens of place and belonging. A video will be projected onto the sculpture to draw micro and macro parallels between objects, images, family narrative, historical moments, landscapes, and the afterlife of slavery.

  • Neysa Wellington

    Photography, Tyler School of Art and Architecture, Temple University

    "Ena D)" a mother's love is an exploration of the mother's role in different family dynamics throughout the African continent and the diaspora. This visual storytelling project will serve as a catalyst for healing and understanding the role of mothers and the value of becoming your own.

 

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